Sasha Pivovarova shot by Paolo Roversi, Sleep Over(Photographer unknown), Lara Stone by Steven Klein for Vogue Paris, "Demoni" directed by Dario Argento(1985), Teun Hocks, Naomi Campbell by Nick Knight, Divine by John Waters, Maleficent from Sleeping Beauty (1959), Grace Bol, Shalom Harlow for Alexander Mcqueen a/w 1999, Azealia Banks by Matt Barnes, James St.James, The Texas Chainsaw Massacre directed by Tobe Hooper(1974).

Lady Mendoza

I took photos of my Friend Erica a few days ago. The editing and styling is a bit trite. But I'm working towards something. At least I think I am.

Michelle

A few days ago I spent some time with my friend Colin who had been away at University. He had planned a shoot with his friend Michelle and he graciously let me use his camera to shoot a bit. I rarely get to shoot models so this made my night.

Madonna by Paolo Roversi, Absolution (film), Meryl Streep and Goldie Hawn in "Death becomes her", Paolo Roversi for Vogue Nippon, Class 2006 by Roversi, Georgia May Jagger, Amber Valletta by Paolo Roversi.

Roversi and pastel kick. Life is love.

Givenchy: Fall 2011 Couture. 

I wonder what an angelic being would wear. What clothing would circumvent naturalized population and make it's way to some spectral being. Even in the lightness of this Collection Riccardo Tisci still manages to find some sense of religious darkness. Perhaps it's only something I see. But I imagine the separation of life of some supernatural being. A funeral meant for something beyond our world. It's emotion really. A garment with touch placed upon it. Knowing a human touched that garment for hours, there is really something remarkable to it. Even in the vivid white, and oblong pastels I fell some sense of power. It's a subtle submergence of grandeur. Nothing literal. It wasn't a show, it was a collection of moments, each one with more presence and power than the last. 

Harvey Stevens in "The Omen", Miko Hughes in Pet Cemetary, Children of the Corn;Village of the Damned, Kyra Schon in "Night of the living dead", Massive sculpture by Ron Mueck.

I have always had a slight distaste for children. Even as a child I felt distant from many of them. Growing up I funneled this awkwardness through my prism of good humour and sarcasm. Because if there is anything Sex and the city taught me, is that if you keep people laughing they're less likely to judge your detraction from the social norm. Horror films rarely frighten me, but when a child is involved it always leaves me a bit irked. Any depiction of a child in a demonic sense is both ironic and literal to me. Children which are meant to be "god's gift" represented as demonic creatures. I think the film makers perhaps are funneling their own angst towards being a parent, or the experience they've had with little ones. For anyone will tell you children are frightening. They get away with ritual slaughter if they bat their eyelashes a certain way. It's all in good fun though. The effect produces an interesting thought. Seeing the innocent as a demonic force, or the culprit.